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Greek Myth as Potpourri of Multicultural Flavors |
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HOLSTEBRO, Denmark — A hush fell in the red room, the largest performing space in the former barn here that the experimental Odin Teatret has called home since 1966. The theater’s founder and director, Eugenio Barba, welcomed the 32 members of the Gambuh Desa Batuan Ensemble, who had just arrived from Bali and were sitting on the floor in sarongs. They were to play the roles of Medea and her kinsmen in “The Marriage of Medea,” a new production presented last month by the Odin in a town festival. “The Jasonite family and friends,” the 71-year-old Mr. Barba said, pausing to indicate fresh-faced performers in flashy hip-hop-inspired outfits sitting behind him, who were to play the Greek hero Jason’s followers and family members, “are very, very curious to know who you are, Medea’s people. We have the occasion now to greet each other in our own theatrical way. Then we will embrace each other and go back to work. The Jasonites will work very hard, otherwise my reputation will be spoiled." Everyone laughed, though Mr. Barba may not have been entirely kidding. The performances that followed — a hip-hop-flavored song-and-dance sequence, a visiting Polish group’s a cappella rendering of a Georgian funeral song, a Balinese dance solo, and a love-song duet in Chinese and Portuguese between a Nanguan opera singer and a Brazilian percussionist — were the kinds of intercultural exchange that Mr. Barba and his group have been practicing for almost half a century. The Jasonites, however, were something new. |
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Eugenios fortælling om Medea |
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Teatro
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Diario Vestjylland 28 mato 2008 Holstebro Myterne om Medea er mange. Under festugen serverer teaterleder og instruktør Eugenio Barba sin version.Af Mette Grith Sørensen
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Det tyvstarter på Struer Havn fredag den 6. juni om aftenen - og så fortælles den lange historie om Medeas bryllup med Jason ellers over de følgende mange dage i Holstebro Festuge 2008 »Lys & Mørke«.
Og det ER sandelig en historie, der er fyldt med både lys og mørke.
Myterne om Medea er mange. Den mest kendte historie er nok Euripides' skuespil »Medea«, der blev opført første gang i år 431 i Grækenland. Og noget af den version går da også igen i teaterleder og instruktør Eugenio Barbas version af begivenhederne i Medeas liv.
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Medeas Bryllup - Odin Teatret |
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ODIN TEATRETTHE MARRIAGE OF MEDEACelebrated in the open air or in closed spaces A performance by Eugenio Barba based on the myth of Medea MEDEA: Ni Made Partini JASON: Tage Larsen CLOTHO: Julia Varley DIONYSIUS: Augusto Omolu MEDEA'S FATHER: I Wayan Bawa THE PRIEST: Cristina Wistari Formaggia
THEATRUM MUNDI THE MARRIAGE OF MEDEA
The Marriage of Medea is the result of Odin Teatret's lasting interest in acting traditions. Odin Teatret, whose actors are of different nationalities, has since 1966 organised various working sessions and seminars on the actor's technique. It began with the research practised by Jerzy Grotowski, Etienne Decroux, Jacques Lecoq, Dario Fo, Jean-Louis Barrault, Joseph Chaikin, Judith Malina and Julian Beck.
Since the early 1970s, Odin Teatret has involved in this activity Javanese and Balinese ensembles and artists (Sardono, I Made Pasek Tempo, I Made Ban-dem, I Made Djimat), Japanese Noh, Kyogen, Kabuki and Shingeki theatre (Hisao and Hideo Kanze, Mannojo and Kosuke Nomura, Sawamura Sojuro, Shuji Terayama) and India's main classical forms of theatre-dance: Kathak, Bharatanatyam, Odissi, Chhau and Kathakali. In addition to the chance to see these striking Asian artists performing, these seminars were an opportunity to get acquainted with the prin¬ciples of their style and technical knowledge.
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